Friday, February 29, 2008

storytime

As a writer, I understand the power of stories.  Stories capture our imagination, stir our emotions, and help us thread together the events of our lives.

What I've been learning recently, though, is that stories are also the cause of most of our suffering.

Who knows how stories originated way back in the dusky twilight of prehistory?  Perhaps stories were a way to pass down knowledge of hunting grounds, navigation, ancestral lines (so that horrible genetic mutations wouldn't occur).  No way to know for sure. 

What came to happen, though, and what continues to happen today, is that we believe our stories.  We believe our stories so much, in fact, that we often choose them over reality.  That's when suffering occurs.

An obvious example is this: an explicitly insane person believes himself to be Napoleon Bonaparte (and as we all know from that favorite mode of storytelling, the movies, crazy people usually believe they're Napoleon).  As our friend begins to navigate his way through life, he generates a lot of suffering for himself since (barring metaphysics) he is not, in fact, Napoleon Bonaparte.

Amusingly enough, we each do the same thing every day.  We get caught up and attached to our individual and collective stories, which may or may not have any bearing on reality.  More than that, since we believe in our stories so strongly, we forget how easily they can be changed.

My practice lately has been to completely question and re-write the story of my life at will.  Any time there's something that pisses me off or aggravates me, I start paying attention to the story I'm telling myself. 

Traffic is a great place to do this.  I get all riled up about how slow the car in front of me is going, how idiotic the driver is, how inept and hazardous it is that such a driver is on the road.  On and on I go until that vein in my temple starts throbbing and my chest starts squeezing.  I'm caught up in an epic blitzkreig of rage and justice, revenge and glory.  I'm decapiating the other driver, eating her young, slashing her tires, smashing into her car (insurance rates be damned).  I am seething, spewing, railing against this absolute embodiment, this archetype, this personifcation of Wretched Driving!

Now that's some story.

When I realize all that energy is coming from the story I'm telling myself, I can relax and rewrite the whole thing.  The characters (the other driver and me) are in seperate cars moving through traffic.  That's the scenario, the setting, the props.  Everything else I'm adding.

That she should be going faster?  My addition to the script.  The way she's driving is inept and bad--again my embellishment.

What if I turn it around?  Tell the story this way?  I'm an agressive driver, pissed off, running late.  I get behind this woman who is trying to be cautious, keep her children safe.  I'm intimidating her, riding her ass, cursing at her the whole way.  Her eyes flicker nervously from the road to the maniac in the rear view mirror and back to the road.  She's deperately looking for any opening to get out of my way.  She doesn't want to be in front of me.  I'm stressing her out.  She's panicking.  Her children are crying.  One of them might be choking.  She's not sure how she's going to pay this month's rent, and she surely can't afford to be in a car accident...

A totally different story.  And you know what?  Not a bit more real than the first one.

It's still all my embellishment.  It's all my storytelling.  When you strip everything away, we're still just man and woman in traffic.  Everything else going on is something I've added in my mind.  I can't be in the other driver's mind.  I have no way of knowing what her feelings and thoughts are.  Even if she was screaming back at me, yelling at me in her rearview mirror, I would still not really know what was going on inside her, I'd just know she was screaming and yelling about something.

It's like sometimes when you see someone and you can't tell if they are laughing or crying.  The whole story depends on which it is, but you can't tell, and so the story suddenly stops.

Amazing how easy it is to get caught up in and believe our stories.  Sometimes it's fun.  Sometimes it's pure, delightful creativity and entertainment.  Nine times out of ten, though, it ruins your fucking day.

So I'm trying now to live with my stories, laugh at them.  I'm always asking myself, when I make some sweeping statement or start judging everything around me, "is that really true or is that just my story?"  When I feel anger, frustration, irritation swelling up inside of me, I ask myself where it's coming from.  It has to be my story, so what's my story? 

I'm learning life can be really amazing if you don't tell any stories at all.  There's all sorts of stuff going on all the time! 

If I do need a story, though, I remind myself that in any given situation I get to choose what it is.  Whatever story I choose, that's the story I have to live with...until I pick another!

Passion, beauty, and love, folks--24 hours at a time...

Thursday, February 21, 2008

shower stalling

Every morning I solve all the problems of the world in my shower.

I stage great epic debates and arguments with the players in my life, I hold delegations with heads of state from particularly troubled regions of the world, I make movies, I write novels, I fantasize about sexual scenarios with boys real and imagined.

Loofas and body gel are the catalysts, the amanuenses of my scheming and plotting.  I conjure and scry in steam...

Once upon a time, when hangovers, nausea, and nicotine stains entered the tub with me, I took all this great working of water quite seriously.  It stayed with me as I toweled dry, as I shaved, as I peered blearily in the mirror asking who the hell I was on any given morning.

Now all my great adventures slosh nicely down the drain, right along with the soap scum, dead skin cells, and pubic hair. 

My showers are now sexual-cereberal-corporal mini-vacations.  I am a shampoo surfer.  A bubble bouncer.  And while the face in the mirror sometimes startles me still, even when I'm not sure I recognize who it is on the other side of the glass, I more often than not decide to like him anyway.

Passion, beauty, and love, folks--24 hours at a time...

Wednesday, February 13, 2008

be mine

Tomorrow is Valentine's Day. 

I haven't had such a great track record with that holiday for the past few years, so tomorrow I'm doing something different.

Tomorrow I'm going to spend the day being totally in love with myself.

I'm going to get turned on by my own body, with it's extra pounds and it's peculiar astronomy of moles and freckles.

I'm going to laugh at my own weird observations and absurd comments that most people never get.

I'm going to unapologetically think about existential, profound, mystical things that have no practical value in the real world.

I'm going to buy myself a present.  I'm going to give myself chocolate.

I'm going to wear something sexy, and if things go well, I may even get some from myself.

I won't be cynical and bitter (much) over all those folks with paramours, because tomorrow I will be all the romance I need.  I'll be astonished, enraptured, mesmerized, stricken, hopelessly devoted...  I will see all that is lovable and beautiful and kind in myself, and I will forgive (or find endearing) every flaw.

And maybe I'll discover, that by giving myself a little love, I can give love a little more easily to those significant others who wander into my life every day.

Passion, beauty, and love, folks--24 hours at a time...

Monday, February 11, 2008

black magic

Some poor boys deal in illusion.  Always turning tricks on stage.  Flash paper and mangy rabbits. Glitter masses with grandma's hymnal...

They chant and chant, summoning familiar phantoms to make it feel better, to give them bigger cocks, or winning lottery numbers...

Those boys with their silky top hats and their silky, knotted handkerchiefs that go on and on and on.  They only want one thing:  Something different.  Something else.

But I'm learning the ways of black magic.  Sifted out through graveyard dust and the powdered bones of broken dreams.  I'm learning the freedom of hopelessness--what if feels like to have your spine snapped by the sharp teeth of the black madonna.

Abracadabra.  Presto.  Black magic is a disappearing act.  Say goodbye to ego.  Say goodbye to ruling the world.

We're off to see the wizard, my friends...deep in the hall of the mountain king...through the hole in the bottom of the sea...

Black magic means embracing the secret fire, sucking from Kali's teat, letting the tightly wound fibers of identity unravel into the abyss.

It's in this churning, refining, alchemical storm, sturm und drang that I begin to learn the spells, the incantations and evocations to create and destroy all worlds.

I am a servant of the secret fire--thrusting, penetrating, spouting hot, salty creativity into the splayed and waiting holes of possibility.

Fucking divine, man.  Fucking divine.

Wednesday, February 6, 2008

slave

'each boundary we set defines the limits of our freedom'

who said that? they were telling truth...

self, important, defending its turf, pissing after every sniff like a dog in a park

I want to buy myself off the block

strip out of musty, crusty selections and rejections

slather my skin with 'and this too', 'and this too'...

ride an endless orgasm of breath--in and out in and out--conflagration between two bodies, underground railroad between two worlds.

everything i tried to get rid of, now perches like pigeons on my stone shoulders.

everything i rub against myself, take into my mouth for pleasure, I let slide along as it will.

this is life as prayer, body as poetry, heart as universe:

wade in the water, children, wade.